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Archived graphic design etc. by Pedro del Corro, Madrid 16:18:43︎New York City 11:18:43
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                Pedro del Corro is a graphic designer and design director from Madrid, Spain based in New York City. He has designed in-house for the Whitney Museum of American Art (NY), Apple Inc. (CA), Studio Lin (NY), Dropbox Inc. (NY), working in various fields of design including identity, editorial, exhibition, web, motion, iconography, and the intersection between product design and brand. His work has been featured on Ligature, It’s Nice That, Books From The Future, Back Catalogue, and Typewolf among others.
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                2017 – [current], Dropbox Inc., New York City, NY; 2015 – 2017, Whitney Museum of American Art, New York City, NY; 2015, Apple Inc., Cupertino, CA; 2014, Studio Lin, New York City, NY; 2012 – 2014, Interbrand, Madrid, Spain
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                info@p-del.co, Instagram, Tumblr, Twitter, Are.na

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                Featured in Ligature, It's Nice That, North East, Typewolf, Back Catalogue, Books From The Future, Dark Side of Typography, Cargo, The Gallery, Visuelle, AIGA, SiteInspire, Behance, Inspirimgrafik, Pure Typography, Folding Folder, Bench, Pratt Portfolios, Klim, Instagram Suggested User, Design Everywhere, We and the Color, Symmetry Symptom, Illustrated Study, Totally Drunk, Design Clever, Daily Designer, CSSDSGN, Too Many Design, DOMO-A
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                All works by Pedro del Corro ©; in-house works in collaboration with respective teams; Whitney Museum of American Art, design.whitney.org; Dropbox Inc., dropbox.design; Studio Lin, studiolin.org; Apple Inc., apple.com. Works per commission, in-house, and self-initiated; designed, selected, and archived 2015–2020 © Pedro del Corro, all rights reserved. Typeset in Univers (65) by Adrian Frutiger. Home and home-away-from-home clocks courtesy of Tanner Godarzi.

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A Thing is a Hole in a Thing it is Not, Carl Andre; old apartment at Bedford Ave, 11211 Brooklyn, NY; 4× 11 × 17, tiled, 1/0 risograph

Trilogía (Partes 2 y 3), Alfonso Portabales, 5.5 × 8.5 book cover Trilogía (Partes 2 y 3), Alfonso Portabales, 5.5 × 8.5 book cover CCFFEE, logotype CCFFEE, 11 × 17, 3/0 risograph CCFFEE, 2 × 3 trimmed card stock, 3/0 risograph BARBECHO, C. ACEBO 6, graphic identity BARBECHO, C. ACEBO 6, 2 × 3, card BARBECHO, C. ACEBO 6, artist residence & gallery space, by Pía Mendaro BARBECHO, C. ACEBO 6, graphic identity architecture; symmetry, repetition, curvature BARBECHO, C. ACEBO 6, website, 1920 × 1080 BARBECHO, C. ACEBO 6, website, 1920 × 1080 BARBECHO C. ACEBO 6, A2, folded BARBECHO, C. ACEBO 6, entrance BARBECHO C .ACEBO 6, A2 poster, digital & 2/0 risograph BARBECHO C .ACEBO 6, A2 poster, digital & 1/0 risograph Orchestral Sessions, Fernando Furones, LP, back-cover Orchestral Sessions, Fernando Furones, LP, cover Ladies Who Create, an event for female leaders in the design industry; graphic identity, 1920 × 1080 guidelines cover Ladies Who Create, thank you card, 4 × 6 card stock, 1/0 offset, 0.125 radius metallic stamp, handwriting (thanks Michelle Morrison) Ladies Who Create, detail of 5.5 × 8.5 menu, 1/0 offset earth day, every day; bumper sticker [coming soon] Back & Forth, a book of interviews, 152 p. 8 × 10 perfect bound softcover, print-ready file archetype Back & Forth, a book of interviews, 152 p. 8 × 10 perfect bound softcover, 1/0 risograph, 3/3 risograph Tote Bag, Sundance Film Festival 2020, metallic ink silkscreen Tote Bag, Sundance Film Festival 2020, metallic ink silkscreen The Book is the Map is the Territory, 5.3 × 6.8 saddle-stitch booklet, 0/(N/A) letterpress, 1/1 risograph CASIOPEA, written & directed by Fernando Manso, film titles [proposal], 21:9, 24 fps Rhythm over structure, illustration Calder: Hypermobility, Whitney Museum of American Art, silkscreen on 10 × 20 ft. wall, photograph by Ron Amstutz, design.whitney.org Calder: Hypermobility, Whitney Museum of American Art, magazine spread, photograph by Jens Mortensen, design.whitney.org Water bottle, Whitney Museum of American Art, shop.whitney.org Whitney Biennial, Whitney Museum of American Art, graphic identity, magazine spread, photograph by Jens Mortensen, design.whitney.org & Other Film..., Dropbox for Sundance Film Festival 2020, 44 p. 9 × 12 perfect-bound, 1/1 PMS 877, punch-holes, french folds & Other Film Collaboration Stories, Dropbox for Sundance Film Festival 2020, single page & Other Film Collaboration Stories, Dropbox for Sundance Film Festival 2020, single page & Other Film Collaboration Stories, Dropbox for Sundance Film Festival 2020, single page Deafheaven, Tanner Godarzi, 72 p. 8.5 × 12 softcover, 1/0 foil-stamped, 4/4 offset Deafheaven, Tanner Godarzi, 72 p. 8.5 × 12 softcover, 1/0 foil-stamped, 4/4 offset Deafheaven, Tanner Godarzi, 72 p. 8.5 × 12 softcover, 1/0 foil-stamped, 4/4 offset, spread Deafheaven, Tanner Godarzi, 72 p. 8.5 × 12 softcover, 1/0 foil-stamped, 4/4 offset, spread Deafheaven, Tanner Godarzi, 72 p. 8.5 × 12 softcover, 1/0 foil-stamped, 4/4 offset, spread After Jazz, logotype overlay After Jazz, logotype architecture, 3/0 risograph Wayfinding System, Dropbox, hollow-core wood panel, 24 × 48 Visual Magnetics print Wayfinding System, Dropbox, detachable Visual Magnetics arrow Flow, Dropbox, 2× 1080 × 1920 video [4×] & still, animation by Kenny Brandenberger & Anthony Velen Flow, Dropbox, graphic system representation Flow, Dropbox, 3× billboards, Houston & Lafayette, SoHo, New York City Iteration, iterations on the word iteration, 6× 12 × 12 acrylic on canvas Pool, designed on a hot summer day for 83M80 by Gonzalo Hergueta & MRKA, 11 × 17, 2/0 risograph

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info@p-del.co, Instagram, Tumblr, Twitter, Are.na